Fabio Mauri
[vc_row row_scroll_icon="no"][vc_column][vc_empty_space height="82px"][/vc_column][/vc_row][vc_row row_scroll_icon="no"][vc_column width="5/6" css=".vc_custom_1481222579595{background-color: #f7f7f7 !important;}"][vc_empty_space height="25px"][vc_single_image image="5501" img_size="80x80" alignment="center" style="vc_box_circle_2"][vc_empty_space height="15px"][vc_column_text] Fabio Mauri [/vc_column_text][eltd_section_subtitle color="" text_align="center" text="Artist" width=""][vc_empty_space height="15px"][eltd_separator position="center" color="#ff7348" border_style="dotted" width="82" thickness="2"][vc_empty_space height="15px"][eltd_elements_holder][eltd_elements_holder_item][vc_column_text css=".vc_custom_1481707132200{padding-bottom: 40px !important;}"] Fabio Mauri was born in Rome in 1926 and was one of the Italian avant-garde masters after the Second World War, an eclectic artist who was interested in theatre, cinema and literature. In 1942 he founded the magazine Il Setaccio with his friend Pierpaolo Pasolini. In 1955, Pasolini himself presented the first personal work of the artist at the Galleria Aureliana in Rome. Like many other artists of the period, Fabio Mauri also experimented with resetting and in 1957 produced the first...